The director Jamie Lloyd’s ascent to the top of British theatre has been so fast he’s sometimes called “Jammy Lloyd”.
An advocate of affordable theatre for diverse audiences, he’s been described by The Evening Standard as ‘redefining West End theatre.’ At 38, he’s now set himself the challenge of directing all of Harold Pinter’s shorter plays in a single season. He’s cast Danny Dyer, Martin Freeman, Tom Hiddleston, and he coaxed Lee Evans out of retirement. We ask him how. And why?
Georgina Harding’s four previous novels – The Solitude of Thomas Cave, The Spy Game, Painter of Silence and The Gun Room – have all explored, in different territories, what trauma does to the psyche. Land of the Living is no exception. The Second World War has ended and a young British officer, Charlie Ashe, has returned to England to marry Claire. His experiences as a soldier in the Battle of Kohima – one of Britain’s bloodiest battles – and the subsequent months he spent lost in the jungles of Assam, are now firmly in the past.
Curious foodstuffs keep on coming, who knew we could eat them? And yet we will.
The Vegetable: snowbergine
Going against everything we’ve been taught about eating the rainbow, these days East London vegans have been fighting over white aubergines, or snowbergines. While Americans named the vegetable ‘eggplant’ due to its resemblance to a goose egg, most of us have never laid eyes on anything other than the purple version.
Barbara Kingsolver trained as biologist before she became a novelist and she has repeatedly shown her desire to anatomise society in her fiction. In her bestselling novel The Poisonwood Bible (1998), she examined the impact of missionaries in the Belgian Congo and in her more recent novel, Flight Behaviour (2012), she took on climate change. In her latest novel Unsheltered, she turns her attentions to the recently disenfranchised middle class in contemporary North America.
Willa Knox is a woman under siege. Having strived for years, she newly finds herself a member of the precariat. The magazine she edited and the college at which her husband, Iano, taught both fold at the same time. The couple move into a wreck of a house she has inherited in Vineland, New Jersey, which they hope might be the answer to their prayers before realising it is so damaged as to be almost unliveable in.
Sarah Perry has followed her Victorian debut The Essex Serpent with Melmoth, which begins in near-contemporary Prague. It is easy to forget that the setting is 2016, however, not least because our heroine, forty-two-year-old Helen Franklin, has no interest in present-day pleasures. She views the Prague that tourists enjoy as “a stage set, contrived by ropes and pulleys”. In fact, she has no interest in pleasure of any kind and is governed by self-denial. Perry is skilled at suggesting a whole life in a phrase – Helen is introduced to us with “her neat coat belted, as colourless as she is, nine years worn”.
Normal People, Sally Rooney’s extraordinary second novel has already been longlisted for the Man Booker Prize 2018 and at 27, she could be the youngest writer ever to walk away with the prize. Anyone who has read her first novel, Conversations with Friends (2017), will hardly be surprised as they will know that she writes with breath-taking fluency. She wrote 100 000 words of her first book in just three months, by often writing for 17 hours a day and prior to this was a European debating champion. This might partly account for why the dialogue in her novels is so startlingly good.
