Charlotte Mendelson has been described in The Times as a ‘master at family drama’, and her previous novel, The Exhibitionist (2022), contained in Ray Hanrahan one of the most odious fictional husbands ever. Mendelson clearly has an appetite as well as talent for writing awful spouses. In her latest novel, Wife, Penny Cartwright is if anything even worse.
This is the story of a lesbian relationship that sours. The book begins at the marriage’s end, but in its slightly confusing structure it leaps back to the beginning and then forward again. In fairness, these time- jumps are clearly signalled and I think the sense of bewilderment they nonetheless create is intentional. Although the narrative is in the third person, this is really an account of what happened from the point of view of Zoe Stamper, Penny’s wife, who has been thoroughly gaslit, so the sense of the reader being on the back foot beside her feels deliberate.
The claustrophobic bullying in the marriage is so well done that I found it nausea-inducing.
