Come Again by Robert Webb

The comedian and actor Robert Webb has followed his well-received memoir How Not to Be a Boy (TLS, September 15, 2017) with a time-travelling novel, Come Again. Webb’s heroine is the forty-five-year-old Kate Marsden, an IT specialist whose husband has recently dropped dead from a brain tumour. Kate is plunged into overwhelming grief, and Webb is very good on her anger at those friends who wish to pull her out of it. She rails against anything that might cheer her up, not least “Lunch. Fuck off, lunch”.

Webb also makes a good attempt to inhabit a woman’s body, neither over-eroticizing his heroine nor exaggerating her basic bodily functions in an effort to make them sound authentic. Kate also reveals the mystery behind so-called women’s intuition, saying, “I call it paying attention. Women are interested in how funny men’s minds work because we might need that knowledge to survive. So we end up anticipating things and it looks like a magic trick”

A Theatre for Dreamers by Polly Samson

The beautiful Greek island of Hydra became home to a bohemian community of expats in the 1960s, including the Canadian singer-songwriter Leonard Cohen and his Norwegian lover and muse Marianne Ihlen. The legacy of their relationship is the songs ‘So Long Marianne’, ‘Hey, That’s No Way to Say Goodbye’ and ‘Bird on the Wire’. Their story is so intoxicating that it seems surprising it has not featured in a novel before, but perhaps others have been discouraged by the prospect of portraying someone as dauntingly well known as Cohen. Polly Samson rises beautifully to the challenge in her supremely accomplished A Theatre for Dreamers.

She wisely does not introduce Cohen immediately, and we see Hydra through the eyes of the watchful 18-year-old Erica, who, after her mother’s death, has come to seek out Charmian Clift, her mother’s friend.