The Office of Historical Corrections

Danielle Evans, who published her 2010 story collection Before You Suffocate Your Own Fool Self to great acclaim and has fans including Alicia Keys and Roxane Gay, has said she writes long, rather than short, stories – and this new collection certainly provides space to explore knotty subject matter.

In “Boys Go to Jupiter”, a picture of a white college student wearing a Confederate flag bikini goes viral. The image antagonises her black hallmate Carmen, who reposts it, and Claire – the bikini wearer – receives angry, supportive and even pornographic messages.

Carmen moves dorm for her own safety, but Evans writes the story from the point of view of Claire, showing the way in which a social media storm can develop its own momentum: “Her student account’s address has been posted on several message boards and #clairewilliamsvacationideas is a locally trending topic (Auschwitz, My Lai, Wounded Knee).”

Short story collections by Richard Ford, A. L. Kennedy & Maria Reva

Sorry For Your Trouble, Richard Ford’s 13th book of fiction, shows a writer still very much on song. The mainly male middle-aged protagonists of these nine stories seem often to be assessing their regrets but coming to terms with them. In ‘Second Language’, a man is enchanted by his glamorous second wife but able to accept when, after two years, she tells him (for no clear reason) that the marriage is over. Alongside multiple divorces, there are plenty of sudden deaths here — not least that of a wife who simply lays her head on her hands and stops breathing. A doctor later diagnoses cancer, but the conclusion is: ‘Dying was likely the only real symptom she’d experienced.’

The most disturbing story is ‘Displaced’, in which a vulnerable boy becomes desperate for friendship after the death of his father. His only mate is a jaded, older adolescent who, unprompted, kisses him when they go to a drive-in movie. The friend concludes the evening by saying: ‘You’ll kill and steal and break people’s hearts and fuck your sister and burn down houses.’

How to Love a Jamaican by Alexia Arthurs

The title of this debut collection of short stories might mimic that of a “How to” manual but Alexia Arthurs’s prose is anything but didactic. In the opening story, “Light-Skinned Girls and Kelly Rowlands,” the narrator Kimberley observes of her friend Cecilia that she was the “kind of black girl who didn’t think about her race as much as I did.” Although Kimberley initially views her friend as “a white girl trapped in a black girl’s body—an Oreo,” her judgment comes to seem too easy. Kimberley had also been labelled “an Oreo” at school because she liked spending time in the ceramics classroom.

Some of Arthurs’s protagonists live in Jamaica, others have been transplanted to North America and a few inhabit, at least psychologically, the limbo between the two.